Passacaille: new albums soon!
4 juin, Nobilissimo Istromento (Luca Pianca)
The Italian Renaissance is the golden age of the lute. In quality and quantity, the lute pieces from this period are comparable to the piano works of the 19th century. Most of the works selected for this recording are by Francesco da Milano, an extraordinary virtuoso and gifted composer who was also known as "Il Divino" (the Divine), an epithet he shared with Michelangelo and Monteverdi. In addition to lute pieces by da Milano, the recording also includes other equally outstanding works by contemporaries, among them some of the Milanese's pupils. Thanks to this selection, it is easy to comprehend still today why the lute was considered the noblest instrument of all in the 16th century: Il nobilissimo istromento.
4 juin, Pergolesi – Iribarren. Contrafacta. Stabat Mater & Motets (Orquesta Barroca de Sevilla, Enrico Onofri, María Espada, Carlos Mena)
Pergolesi’s Stabat Mater was extremely popular throughout Europe soon after it was composed in 1736. Countless printed and handwritten versions of this work, which was considered the stylistic ideal of sacred music in the 18th century, can be found in libraries all over the world. There are five manuscript copies of the Stabat Mater in the archives of Málaga Cathedral. This recording presents a version performed when Juan Francés de Iribarren was chapel master there. He did not copy the work exactly, but created a revision with substantial changes. Also included in the recording are some of Iribarren’s own works.
2 juillet, Goldberg Variations (Michel Kiener)
With this disc, Swiss harpsichordist Michel Kiener presents his interpretation of the Goldberg Variations, one of Bach’s absolute masterpieces. Kiener completed both his piano and harpsichord studies at the Geneva Conservatoire, where he won the prize of virtuosity in both disciplines. He perfected his art with Gustav Leonhardt in Amsterdam and was laureate of the Bruges International Harpsichord Competition. Due to his versatility and his passion for chamber music, Kiener has performed with many outstanding artists such as Christophe Coin, the Kuijken brothers, Ryo Terakado and singers such as Marta Almajano and Jennifer Smith. As a soloist he performed with the ensembles Il Giardino Armonico and Il Gardellino.
Michel Kiener performs the Goldberg Variations on his magnificent harpsichord with sumptuous bass made by William Dowd in Paris in 1978, modelled on an instrument made by N. Blanchet in 1730.