Roman, Händel, London
18 January 2025/ Sweden / Stockholm
J. H. Roman –"the Swedish Handel" that changed Swedish music forever...
This concert tells a story we have heard many times before: a young, talented artist travels the world for inspiration, and in his encounter with the wider world, his life and art are transformed.
These 'journeys of discovery' were taken by countless artists in the 18th and 19th centuries. But this formative journey would prove to have major consequences, not only for the artist himself, but also for art and history as a whole. For this journey changed Swedish music forever.
This program presents the music that "the Swedish Handel" Johan Helmich Roman met in London and the music he composed himself.
The young Swedish violinist and composer Johan Helmich Roman traveled to London in 1716 on a study trip. Roman came from the German-dominated music scene in Stockholm to a London where the dominant musical trend was Italian, manifested in the newly arrived G. F. Handel. Roman quickly became an active part of London's musical life. He played in Handel's orchestra at the Kings Theatre and met other musicians and composers from all over Europe - all of whom had come to London to take part in the Italian music feast, but also bringing their own traditions and styles from home.
These 'journeys of discovery' were taken by countless artists in the 18th and 19th centuries. But this formative journey would prove to have major consequences, not only for the artist himself, but also for art and history as a whole. For this journey changed Swedish music forever.
This program presents the music that "the Swedish Handel" Johan Helmich Roman met in London and the music he composed himself.
The young Swedish violinist and composer Johan Helmich Roman traveled to London in 1716 on a study trip. Roman came from the German-dominated music scene in Stockholm to a London where the dominant musical trend was Italian, manifested in the newly arrived G. F. Handel. Roman quickly became an active part of London's musical life. He played in Handel's orchestra at the Kings Theatre and met other musicians and composers from all over Europe - all of whom had come to London to take part in the Italian music feast, but also bringing their own traditions and styles from home.
So when Roman returned to Stockholm in 1721, it was as a well-educated, modern-minded musician and a brilliant violinist. Most importantly, as a composer, he had acquired a thorough knowledge of new European stylistic trends, not only in opera but also in instrumental music. Roman remained associated with the Swedish court chapel throughout his life, and his stay in London not only influenced the 'father of Swedish music', as Roman is known today, but also changed the history of Swedish music.
