/
FR | EN | DE | IT

Listen to remaradio.eu!

Journée Européenne de la Musique Ancienne Under the patronage of UNESCO
Voi siete qui : Benvenuto

REMA - Rete Europea di Musica Antica

Stampa Dimensione testo : A+ A-
Iscriviti alla newsletter

News

1
18/05/2016
Winners of the NCEM Young Composers Award 2016
The NCEM Young Composers Award 2016, presented in partnership with BBC Radio 3 and Theatre of the Ayre directed by (...)
Per saperne di più
20/04/2016
International Competition Musica Antiqua: last days to (...)
Last days to subscribe for the prestigious International Competition Musica Antiqua, focusing on fortepiano in (...)
Per saperne di più
18/04/2016
Gregynog Festival 2016!
TOP OF THE MORNING AT GREGYNOG FESTIVAL 2016: EIRE (16-26 June 2016) Gregynog Festival is "top of the morning" for (...)
Per saperne di più
18/04/2016
London Baroque Music Festival 2016!
This new edition will welcome in may international artists including John Butt, Iestyn Davies, the Choir of (...)
Per saperne di più
8/04/2016
1 an de REMA en vidéo !
1 Year of Rema from REMA on Vimeo.
Per saperne di più
31/03/2016
Le REMA se réunit à Metz !
_ Pour cette nouvelle rencontre du REMA, 45 membres venus de 10 pays auront le plaisir de se retrouver à l’Arsenal de (...)
Per saperne di più
24/03/2016
Une belle Journée Européenne de Musique Ancienne (...)
La quatrième édition de la Journée Européenne de Musique Ancienne a de nouveau été un succès et le REMA est très heureux (...)
Per saperne di più
21/03/2016
Culturebox célèbre la Journée Européenne de Musique (...)
Culturebox participe à la Journée Européenne de Musique Ancienne en diffusant un large contenu de musique baroque ! (...)
Per saperne di più
21/03/2016
Aujourd’hui ! C’est la Journée européenne de Musique (...)
En ce jour anniversaire de Jean-Sébastien Bach, une multitude d’événements (concerts, conférences, (...)
Per saperne di più
3/12/2015
EAR-ly 2016 - Nordic competition for young early music (...)
The overall aim of EAR-ly is to encourage the formation of new early music ensembles and to stimulate the interest (...)
Per saperne di più
30/11/2015
Welcome to the new REMA members!
Le REMA est heureux d’accueillir 5 nouveaux membres ! -* Concentus Moraviae (République Tchèque) -* Concertgebouw (...)
Per saperne di più
31/08/2015
REMA Early Music Award was presented
REMA Early Music Award Ceremony was held at AMUZ in Antwerp, Belgium on 22 August 2015. To watch videos of the (...)
Per saperne di più
27/08/2015
Nuovi membri
Siamo lieti di annunciare l’arrivo di tre nuovi membri del REMA : Urbino Musica Antica di Italia, Geelvinck (...)
Per saperne di più
15/07/2015
The Sollazzo Ensemble wins the 2015 York Early Music (...)
Sollazzo Ensemble from Switzerland has won the highly respected biennial York Early Music International Young (...)
Per saperne di più
20/05/2015
NCEM Young Composers Award 2015
The NCEM Young Composers Award 2015, presented in partnership with BBC Radio 3 andthe internationally acclaimed (...)
Per saperne di più
Vedere un paese
Eventi in Arrivo
<span lang='fr'>Pays Bas</span> STIMU Symposium 2016: ‘Reinventing a usable past’
The STIMU symposium entitled Reinventing a usable past uses Jewish early music as a metaphor for the music of ’the others’: those who were not (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Gli Angeli Genève / Stephan MacLeod: ‘Festive opening concert: San Marco Vespers’
Gli Angeli Genève opens its residency with Johann Rosenmüller’s large-scale festive Vespers for choir and orchestra, as they might have sounded in (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Artaserse / Philippe Jaroussky: ‘Cavalli and the early opera’
‘The voice of an angel and as virtuosic as the devil’: Philippe Jaroussky, countertenor and world-class star, is finally returning to Utrecht. He (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Ghislieri Choir & Consort / Giulio Prandi: ‘Vivaldi and Galuppi’
When ‘Italian Baroque’ is mentioned, people these days immediately think of Vivaldi. It is therefore hard to imagine that after his death the name (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Collegium 1704 / Václav Luks: ‘Legrenzi and Marcello’
Václav Luks and his Collegium 1704 are familiar faces at the Early Music Festival. This time, in a colourful Venetian programme, the Czechs place (...)
Lire la suite
<span lang='fr'>Pays Bas</span> L’Arpeggiata / Christina Pluhar: ‘Cavalli: L’Amore innamorato’
Although Cavalli was a church musician at St Mark’s for almost sixty years, he acquired his greatest fame – and fortune – from his operas. He was (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Concerto Palatino / Bruce Dickey: ‘Cavalli’s Vespers’
In the festival of 1991 Concerto Palatino staged the Vesper Psalms of Cavalli for the first time. It was a sensation. Since then Bruce Dickey and (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Vox Luminis & Capriccio Stravagante: ‘The world of Monteverdi’
A dream combination: Vox Luminis and Capriccio Stravagante, both former artists in residence, join forces and enter the world of Claudio (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Hespèrion XXI et al.: ‘1000 years of Venice / 75 years of Jordi Savall’
Orthodox-Byzantine Vocal Ensemble, La Capella Reial de Catalunya, Le Concert des Nations & Hespèrion XXI / Jordi Savall A genuine concert of (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Ensemble Correspondances / Sébastien Daucé: ‘Charpentier in Italy’
Venice as the Festival theme, and then music by Charpentier? Oh yes! Ensemble Correspondances, that has in recent years carried out pioneering (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Le Concert Spirituel / Hervé Niquet: ‘Vivaldi’s Gloria for female voices’
In keeping with tradition the Early Music Festival concludes with a triumphant final concert. Who better suited for this than Hervé Niquet and his (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Michel Godard & co: ‘An Egyptian in Venice’
What if in 1620 an Egyptian traveller and musician had come ashore in Venice, and subsequently met Claudio Monteverdi? Would they have got along (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Scherzi Musicali / Nicholas Achten: ‘Amorous dialogues by Sances’
Giovanni Felice Sances, who later on in his life would score some great successes in the service of the Hapsburg emperor, spent a short time in (...)
Lire la suite
<span lang='fr'>Pays Bas</span> La Colombina / Josep Cabré: ‘The world of Willaert’
The Catalan baritone Josep Cabré chooses only the finest voices for his vocal ensemble La Colombina: Raquel Andueza, José Herhandez Pastor and (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Gli Angeli Genève / Stephan MacLeod: ‘Intimate psalms by Rosenmüller and Rigatti’
Whereas artist in residence Gli Angeli Genève opened the festival with celebratory double choir splendour, in this second programme the ensemble (...)
Lire la suite
<span lang='fr'>Pays Bas</span> ClubMediéval / Tomas Baeté: ‘Venecie mundi splendor’
The doges of Venice were only too eager to show off their power and wealth. They built splendid palaces and surrounded themselves with ceremony. (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Concerto Soave / Jean-Marc Aymes: ‘Monteverdi and Strozzi’
The velvety vocal sound of the Argentinian soprano María Cristina Kiehr seems made for the repertoire of the early seventeenth century. (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Cappella Mariana / Vojtech Semerád: ‘Claudio Merulo: Susanne un jour’
Cappella Mariana is our guest again this year, and for the best reason imaginable: during recent festival editions this Czech ensemble has (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Cappella Mediterranea: ‘Cavalli: Teatro dei Sensi’
The opening of the Teatro San Cassiano in 1637 is a key moment in the history of opera. The genre undergoes a transformation: from being a (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Les haulz et les bas: ‘Zorzi Trombetta and the Doge’s wind band’
Zorzi Trombetta began his career as a trumpeter on a Venetian galleon and went on to form I Piffari del Doge – the Doge’s official wind ensemble – (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Alex Potter & co: ‘Cantatas by Legrenzi and Rovetta’
Two 17th-century maestri di cappella of St Mark’s Basilca play a major role in this concert: Giovanni Legrenzi and Giovanni Rovetta. Their music (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Cinquecento: ‘Willaert: Eccelentissimo Adriano’
Vocal ensemble Cinquecento paints a musical portrait of Adriaen Willaert with a performance of his masterly Missa Mente tota. After (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Micrologus / Patrizia Bovi: ‘Carnivalesque’
Many stock characters from the commedia dell’arte appear in 15th-century frottolas and villottas, including the soldier Scaramella, the lovers (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Graindelavoix / Björn Schmelzer: ‘A Cypriot vesper’
Before Cyprus was ceded to Venice in the 15th century, it was ruled by kings from the French dynastic family Lusignan. As part of their retinue (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Stefan Temmingh & La Folia Baroque Orchestra: ‘Vivaldi’s virtuosic recorder concertos’
Vivaldi composed a number of very virtuosic concertos for recorder, for both the alto and the sopranino (‘flautino’). The young South African (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Les Flamboyants / Michael Form: ‘Petrucci’s Harmonice Musices Odhecaton’
The year 1501 marks a revolution in the history of music: in Venice Ottaviano Petrucci published his Odhecaton, the first printed music (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Cantica Symphonia / Giuseppe Maletto: ‘The Sacrae Cantiones by Andrea Gabrieli’
Andrea Gabrieli, an uncle of the great Giovanni Gabrieli, published his volume titled Sacrae Cantiones in 1565, at about the same time that he (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Auser Musici / Carlo Ipata: ‘Francesco Gasparini: from Il Bajazet’
Auser Musici pays homage to Francesco Gasparini. Not only was he musical director of the Ospedale della Pietà and the person who appointed (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Ensemble Lucidarium: ‘Music for the Merchant of Venice’
This year is the 500th anniversary of the establishment of the ghetto in Venice, and 400 years ago saw the death of William Shakespeare, in whose (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Nederlands Kamerkoor / Richard Egarr: ‘Hebrew psalms by Marcello’
In the Hebrew tradition no difference exists between speaking and singing, as illustrated by the fact that the texts of the Talmud are also sung. (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Les Musiciens du Louvre / Francesco Corti: ‘Galuppi’s motets’
The Baroque orchestra Les Musiciens du Louvre has since the 80s been famed for its large-scale opera productions under the direction of its (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Cappella Romana / Alexander Lingas: ‘At the crossroads between East and West’
Because of its strategic location Cyprus has since time immemorial been an important crossroads for trade and culture. In 1489 the island was (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Cantar Lontano / Marco Mencoboni: ‘Monteverdi: Tancredi e Clorinda’
A Venetian Festival would not be complete without this high point of Claudio Monteverdi’s oeuvre: his Combattimento di Tancredi e Clorinda from (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Ensemble Gilles Binchois / Dominique Vellard: ‘Plainsong from St Mark’s Basilica’
The Berlin State Library possesses a manuscript of plainsong which 25 years ago was discovered to have belonged to St Mark’s in Venice. The (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Les Basses Réunies / Bruno Cocset: ‘Vivaldi’s cello sonatas and concerti’
Bruno Cocset, one of the finest Baroque cellists of our day, plays Vivaldi. He has chosen not for the sonatas published in Paris in 1740, but for (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Cappella Pratensis / Stratton Bull: ‘Willaert’s Flemish roots’
As kapellmeister of St Mark’s, Adriaan Willaert was the founder of the ‘Venetian School’, to which the Gabrielis and Monteverdi are also deemed to (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Cappella Romana / Alexander Lingas: ‘A Venetian in Russia’
The influence of the West on the music of the Russian Orthodox church reached a high point during the reign of Empress Catherine the Great, who (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Scorpio Collectief / Simen Van Mechelen: ‘Baroque brass music’
A cheerful Cantate Domino by Francesco Cavalli, three dramatic miniatures by Alessandro Grandi and work of Dario Castello, who directed the wind (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Huelgas Ensemble / Paul Van Nevel: ‘Willaert and De Rore’
After 35 years as Kapellmeister of St Mark’s Basilica, Adriaen Willaert was succeeded by Cipriano de Rore. In memory of his deceased colleague, De (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Le Banquet Céleste / Damien Guillon: ‘Solo motets by Vivaldi’
For this programme the French countertenor Damien Guillon has chosen Vivaldi’s finest solo motets. The most famous is undoubtedly his Stabat (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Marco Mencoboni: ‘Claudio Merulo on the harpsichord’
Harpsichordist and conductor Marco Mencoboni is without doubt one of the most creative minds on the early music scene of today. It’s not for (...)
Lire la suite
<span lang='fr'>Pays Bas</span> David Van Bouwel: ‘Double choir canzonas by Gabrieli’
Andrea Gabrieli and his nephew Giovanni, world famous as organists at St Mark’s Basilica, may rightly be deemed the first keyboard masters in (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Rinaldo Alessandrini: ‘The Gabrielis at the keyboard’
Few harpsichordists manage to elicit so much colour and energy from their instrument as Rinaldo Alessandrini does. Today he will exhibit these (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Francesco Corti: ‘Galuppi at the harpsichord’
Baldassare Galuppi was famous as a keyboard virtuoso. His contemporaries were stupefied by his fiery playing. His musical legacy no longer (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Carole Cerasi: ‘Between republic and absolute monarchy: Storace and D’Anglebert’
From boundless subtlety to terrific virtuosity: harpsichordist Carole Cerasi coaxes from her instrument every possible gradation between light (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Javier Núñez: ‘Giovanni Picchi’
There is only one book of keyboard music by Giovanni Picchi that has been preserved: Intavolatura di balli d’arpicordi. The volume was published (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Luca Guglielmi: ‘Cristofori’s fortepiano’
Is it something in the air, or in the water? For whatever reason, the area around Venice has proved a fertile source of inspiration for (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Reitze Smits: ‘Bach and Vivaldi on the organ’
The unmistakable influence of Vivaldi on Bach may well have come about thanks to Utrecht! Bach’s patron in Weimar, Prince Johann Ernst, studied at (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Olga Pashchenko: ‘Bach and Vivaldi’
Johann Sebastian Bach was certainly not impervious to the musical fashions of his day. The virtuosic and colourful Italian style spread (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Summer School: Wouter Wagemakers - ‘The architecture of Venice’
Why does St Mark’s Basilica strike us as so Byzantine? And why are there so many impressive palaces along Venice’s Grand Canal? Wouter Wagemakers (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Summer School: Olivier Lexa (I) - ‘Francesco Cavalli: Life and Work’
In 2014 Olivier Lexa, director of the Venetian Centre for Baroque Music, devoted a biography to Francesco Cavalli: for the first time ever (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Summer School: Olivier Lexa (II) - ‘The Demise of Venice?’
The pomp and splendour of Venice is under threat. The city is subsiding, the water is rising, and the hordes of tourists grow ever larger by the (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Summer School: Rosi Braidotti - ‘Silk, Sex and Masks’
In the trade-orientated Republic of Venice, women – including courtesans – played a crucial role, above all during Carnival festivities, when their (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Summer School: Fred Jacobs - ‘Huygens in Venice’
In 1620 Constantijn Huygens visited Venice as part of a group of diplomats. He kept a detailed diary of his entire journey. Huygens was present (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Summer School: Maartje van Gelder - ‘500 years Ghetto in Venice’
This year it is exactly five centuries ago that all Jews in Venice were forced to go and live together in one district. The word coined for this (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Summer School: Alexander Lingas - ‘Venice and the East’
From the end of the Middle Ages the Venetian Republic grew rapidly to become a seafaring trading nation with unprecedented power. The Venetians (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Summer School: Francesco Fanna - ‘Discovering Vivaldi’
We can hardly imagine it now, but Vivaldi’s music was forgotten for almost 200 years following his death in 1741. It is largely thanks to the (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Summer School: Micky White - ‘Myths around Vivaldi’s La Pietà’
What we know about Vivaldi’s Venetian life is for a large part thanks to Micky White, archivist at the Ospedale della Pietà, where Vivaldi worked (...)
Lire la suite
<span lang='fr'>Pays Bas</span> International Van Wassenaer Competition
Springboard for young talent Since its first edition in 1986, the International Van Wassenaer Competition has been giving a boost to early music (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Eventalk: Prof. Harald Hendrix
Following the success of the daily Eventalks in 2015, we are proud to present a second edition during this festival, once again in close (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Eventalk: Rick Dolphijn
Following the success of the daily Eventalks in 2015, we are proud to present a second edition during this festival, once again in close (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Eventalk: Prof. Kiene Brillenburg Wurth
Following the success of the daily Eventalks in 2015, we are proud to present a second edition during this festival, once again in close (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Eventalk: Prof. Rosi Braidotti
Following the success of the daily Eventalks in 2015, we are proud to present a second edition during this festival, once again in close (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Eventalk: Prof. Rosemarie Buikema
Following the success of the daily Eventalks in 2015, we are proud to present a second edition during this festival, once again in close (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Eventalk: Prof. Leonard Rutgers
Following the success of the daily Eventalks in 2015, we are proud to present a second edition during this festival, once again in close (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Eventalk: Prof. Sandra Ponzanesi
Following the success of the daily Eventalks in 2015, we are proud to present a second edition during this festival, once again in close (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Eventalk: Prof. Paul Schnabel
Following the success of the daily Eventalks in 2015, we are proud to present a second edition during this festival, once again in close (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Eventalk
Following the success of the daily Eventalks in 2015, we are proud to present a second edition during this festival, once again in close (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Malgosia Fiebig: ‘Galuppi, Merula, Castello and Vivaldi on carillon’
The sonata form came into being in the early years of the seventeenth century, as a new step in the coming of age of instrumental music. (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Frans Haagen: ‘Gabrieli, Vivaldi, Galuppi and Paradies on carillon’
Frans Haagen, city carillonneur of Kampen and Zutphen, plays a varied Venetian programme. This includes works from the Early Baroque by Giovanni (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Bob van der Linde: ‘Carillon fringe: Bach and Vivaldi’
The young carillonneur Bob van der Linde studies organ and church music with Reitze Smits and Mark Lippe in Utrecht, and carillon with Frans (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Koen Cosaert: ‘Willaert and Galuppi on carillon’
Koen Cosaert is the director of the Royal Carillon School ‘Jef Denyn’ in Mechelen. Since 1987 he has taught carillon, campanology and harmony at (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Malgosia Fiebig: ‘From the Marcello brothers to Bach’
Alessandro and his brother Benedetto Marcello were dilettantes in the original sense of the word: coming from a noble family, they didn’t need to (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Wim Ruitenbeek: ‘Albinoni and Gasparini on carillon’
Wim Ruitenbeek, city carillonneur of Tiel and Velsen and regular player of the glass carillon in De Zingende Toren (Singing Tower) of Leidsche (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Jakob De Vreese: ‘Carillon fringe: Carnevale di Venezia’
Jakob De Vreese already has various international carillon competitions to his name, including the one in Saint-Amand-Les-Eaux. Today, in the (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Malgosia Fiebig: ‘Vivaldi’s Four Seasons on carillon’
Vivaldi’s best known and best loved compositions are without doubt the first four concertos from Il cimento dell’armonia e dell’inventione, better (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Malgosia Fiebig: ‘Vivaldi, Legrenzi and Bach on carillon’
During this final concert of the Utrecht Early Music Carillon Festival 2016, city carillonneur Malgosia Fiebig plays trio sonatas by Legrenzi, (...)
Lire la suite
<span lang='fr'>Royaume-Uni</span> York Early Music Festival 2016
Friday 8 – Saturday 16 July Widely regarded as the jewel in the crown of city’s many festivals, York Early Music Festival welcomes visitors and (...)
Lire la suite
<span lang='fr'>Royaume-Uni</span> Handel’s London Musical Scene
Agenda
Lars Ulrik Mortensen director & harpsichord; Bojan Čičić concertmaster; Jan Van Hoecke recorder; European Union Baroque Orchestra JE GALLIARD (...)
Lire la suite
<span lang='fr'>Belgique</span> SoundMine 2016
SoundMine is an international composition course with intensive coaching by top-level coaches who are composers themselves. Young people and (...)
Lire la suite
<span lang='fr'>Royaume-Uni</span> Handel’s London Musical Scene
Agenda
Lars Ulrik Mortensen director & harpsichord; Bojan Čičić concertmaster; Jan Van Hoecke recorder; European Union Baroque Orchestra JE GALLIARD (...)
Lire la suite
<span lang='fr'>Royaume-Uni</span> Handel’s London Musical Scene
Agenda
Lars Ulrik Mortensen director & harpsichord; Bojan Čičić concertmaster; Jan Van Hoecke recorder; European Union Baroque Orchestra JE GALLIARD (...)
Lire la suite
<span lang='fr'>Royaume-Uni</span> Handel’s London Musical Scene
Agenda
Lars Ulrik Mortensen director & harpsichord; Bojan Čičić concertmaster; Jan Van Hoecke recorder; European Union Baroque Orchestra JE GALLIARD (...)
Lire la suite
<span lang='fr'>Royaume-Uni</span> Handel’s London Musical Scene
Agenda
Lars Ulrik Mortensen director & harpsichord; Bojan Čičić concertmaster; Jan Van Hoecke recorder; European Union Baroque Orchestra JE GALLIARD (...)
Lire la suite
<span lang='fr'>Royaume-Uni</span> Handel’s London Musical Scene
Agenda
Lars Ulrik Mortensen director & harpsichord; Bojan Čičić concertmaster; Jan Van Hoecke recorder; European Union Baroque Orchestra JE GALLIARD (...)
Lire la suite
<span lang='fr'>Belgique</span> MAfestival 2016 "In Praise of Folly"
05-14/08/2016 MAfestival 2016 is (...)
Lire la suite
<span lang='fr'>Belgique</span> IYAP - International Young Artist’s Presentation
Agenda
IYAP 16-21 August 2016 - Antwerp (BE) The International Young Artist’s Presentation (IYAP) gives young vocal and instrumental artists playing (...)
Lire la suite
<span lang='fr'>Belgique</span> International Young Artist’s Presentation 2016
The International Young Artist’s Presentation (IYAP) is a coaching and presentation format for young talented musicians or ensembles playing (...)
Lire la suite
<span lang='fr'>Royaume-Uni</span> Handel’s London Musical Scene
Agenda
Lars Ulrik Mortensen director & harpsichord; Bojan Čičić concertmaster; Jan Van Hoecke recorder; European Union Baroque Orchestra JE GALLIARD (...)
Lire la suite
<span lang='fr'>Belgique</span> Cappella Pratensis Summerschool 2016
Agenda
22-28 August 2016 - Antwerp (BE) Advanced amateurs and young professional musicians receive a week of coaching from international experts (...)
Lire la suite
<span lang='fr'>Belgique</span> CALL CAPPELLA PRATENSIS SUMMERSCHOOL 2016
Agenda
During the Laus Polyphoniae festival, we will again organize a Summerschool led by several members of Cappella Pratensis. The theme of the (...)
Lire la suite
<span lang='fr'>France</span> Chœur à chœur (POULENC, MARTIN…)
Ensemble Aedes ¦ Chœur de la Radio Lettone ¦ Mathieu Romano direction ¦ Sigvards Klava direction Deux chœurs exceptionnels au service des (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Gli Angeli Genève / Stephan MacLeod: ‘Festive opening concert: San Marco Vespers’
Gli Angeli Genève opens its residency with Johann Rosenmüller’s large-scale festive Vespers for choir and orchestra, as they might have sounded in (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Summer School: Wouter Wagemakers - ‘The architecture of Venice’
Why does St Mark’s Basilica strike us as so Byzantine? And why are there so many impressive palaces along Venice’s Grand Canal? Wouter Wagemakers (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Malgosia Fiebig: ‘Galuppi, Merula, Castello and Vivaldi on carillon’
The sonata form came into being in the early years of the seventeenth century, as a new step in the coming of age of instrumental music. (...)
Lire la suite
<span lang='fr'>Pays Bas</span> Marco Mencoboni: ‘Claudio Merulo on the harpsichord’
Harpsichordist and conductor Marco Mencoboni is without doubt one of the most creative minds on the early music scene of today. It’s not for (...)
Lire la suite
VIDÉOS
Que faites-vous le 21 mars 2017 ?
Scarica l'applicazione per iPhone

AGENDA DEI MEMBRI

« Luglio 2016 »
L M M G V S D
27 28 29 30 1 2 3
4 5 6 7 8 9 10
11 12 13 14 15 16 17
18 19 20 21 22 23 24
25 26 27 28 29 30 31
MEMBRI
Carte des membres
SPAZIO MEMBRI

Il presente progetto è finanziato con il sostegno della Commissione europea. L’autore è il solo responsabile dei contenutoi pubblicati e la Commissione declina ogni responsabilità sull’uso che potrà essere fatto delle informazioni in essa contenute.

TUTTO SUL REMA / ACCESSO RAPIDO